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SculptureinstallationviewElephantsarethestarsofthenewpaintings.TheyareAsianelephantsaregularpresenceduringhisannualtravelsinIndiaandThailand.TheyareassociatedwithphysicalstrengthandforBuddhistsstrengthofthemind.Theycanbestubbornandungovernableyetareknownfortheiremotionalintelligencefaithfulnessanddisplaysofaffection.OfallWaldmanx19screaturestheyarethemostdignied.Thepaintingsinwhichtheelephantsappeardisplayadiscontinuityofspace.ForyearsWaldmanx19sdiptychshavefeaturedahorizonlinethatshiftsattheboundaryoftherightandleftpanelsinterruptinghisotherwiseserenelydescriptivelandscapes.ThisisstillthecasewiththesmalldiptychsbutinthelargeonesWaldmanhaseliminatedthehorizonaltogetherinplaceofdramaticskyscapes.Theelephantsdescribedinvolumetricdetailholdthesurfaceplaneofthepaintingagainstthepictorialdepthoftheskybuttheirspatialrelationtotheback-groundisambiguous.Thattheelephantsgenerallyappearlargerononesideofthediptychthantheotherfurtherdisruptsthecohesionofthespace.Flocksofbirdsand.yingspritessharethespaceofbothelephantsandsky.Thesculpturesontheotherhandhaveanuncannymismatchofscale.The.yingspritesofthepaintingshavecometorestonthebodiesofmeticulouslysculptedelephants.Theele-phantsarelightlydecoratedthewomensometimesblueandcertainlymoreWesternthanAsianintheirappearance.Theirrelativescalefeelsperfectlynormaltheirphysicalrelation-shipintimateinawaybelievablyimplausiblebutsurreal.Thesculpturesareverydelicateandfantasticallydetailedfortheirsmallsize.Theyaremod-eledandcarvedinclayredinsectionsassembledandpaintedwithcasein.Caseincanbegentlybuffedwhichresultsinthesoftsheenofthewomenx19sbodies.Thesculpturesareplacedonsteelpolesanddisplayedinarow.Sculpturesandbas-reliefsofelephantsareubiquitousinIndiantemplesandtheyalongwiththehistoricalIndianminiaturepaintingsthatWaldmancollectsarere.ectedinhisrecentwork.AswellaswemightknowthepathofdevelopmentofWaldmanx19sworkandasreadilyaswecanunderstandthederivationandin.uencesthatWaldmanbroughttogetherinthesepaintingsandsculpturestheworksremaininscrutable.Inhisownwordsx1cWhenyoureallyunderstandsomethingitx19snolongerart.WhenIlookatsomethingovertheyearslikeaBot-ticelliIdonx19tunderstanditbutithassomuchpowerformeIx19mcompelledbyit.Thereissomestrangespiritualthingartembodiesthatcontinuestointrigue.ItrymyabsolutebesttoberightwhenImakesomethingtorevealthefantasyoftheworktobetruthfultotheworkandtotheimageinmymindasitdevelops.x1dJillWeinbergAdamsNewYorkAugust2012QuotationsfromPaulWaldmanErosArtandMagicEdizioneChartaMilaniItalytextsbyCarterRatcliffCarolStricklandJohnNunley.